Matchmoving and crowd enhancement for "Lifeless"
Recently, I had the opportunity to work on several episodes of ABC’s series “Pushing Daisies”. The project was intense, with tight deadlines and some ambitious effects. It was a real opportunity and a learning experience.
I’ve also had work shown on the History Channel series “UFO Files”, the Discovery Channel series “Future Weapons”, and a privately funded independent series, “Lifeless”. I also recently helped the Navy complete a promotional piece for television detailing some of their efforts to use naval technology to help research shipwrecks. The documentary ended up winning a 2009 Gold Screen “Award of Excellence” for government media.
Below you’ll find my current television filmography, with links to IMDB for the various projects, plus samples of some of the work that I am allowed to publicly share.
Current Filmography
ABC (2007)
Episodes: Pie-lette, Dummy, The Fun in Funeral
History Channel (2004)
Episodes: Pilot Sightings, Red Alert, The Dragon Sea, UFOs of the ’70s
Independent (2007)
Episodes: 1, 2, and 3
Discovery Channel (2007)
Episodes: Season 3.1 Opening Round, Season 3.3 Close Protection
US Navy (2008)
Limited broadcasts
Single Episode
Shot Samples and Notes
(Click on the thumbnail images to play video samples)
Fort McHenry
“Footage from Partnership Runs Deep”
Matchmove, digital matte painting, renders, composite, audio.
Footage from Second Wind Films.
Detailed Breakdown of this shot.
Partnership Runs Deep
“Partnership Runs Deep”
Digital matte painting, composite.
Work for Second Wind Films and the US Navy.
Partnership Runs Deep
“Partnership Runs Deep”
Digital matte painting, composite.
Work for Second Wind Films and the US Navy.
Partnership Runs Deep
“Partnership Runs Deep”
Digital matte painting, composite.
Work for Second Wind Films and the US Navy.
Lifeless
“Lifeless”
Matchmoving, keying, composite.
Work for Rising Pictures.
Lifeless
“Lifeless”
Matchmoving, keying, composite.
Work for Rising Pictures.
LWRC International
“Future Weapons”
This shot is similar to my shots as used on the show.
Renders and composite.
Work for LWRC International
